{"id":161,"date":"2000-03-23T15:41:44","date_gmt":"2000-03-23T14:41:44","guid":{"rendered":"http:\/\/www.benjamin-schweitzer.de\/Deutsch\/?p=161"},"modified":"2019-07-18T18:39:28","modified_gmt":"2019-07-18T16:39:28","slug":"sonatine","status":"publish","type":"post","link":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/sonatine\/","title":{"rendered":"Sonatine for cello solo (2000)"},"content":{"rendered":"<div class=\"post-content\">\n<p><em>&#8230;en forme de quatres petites hommages:<\/em><\/p>\n<p>I. (\u00e1 J.S.Bach?)<br \/>\nII. (\u00e1 G. Scelsi)<br \/>\nIII. (\u00e1 B.A.Zimmermann)<br \/>\nIV. (\u00e1 G.Ligeti)<\/p>\n<p><strong>Publisher: <\/strong> Currently unpublished. Score is available for free, please contact me <a href=\"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/kontakt\/\">by e-mail<\/a>.<\/p>\n<p><strong>Duration:<\/strong> 5\u203230\u201d<\/p>\n<p><strong>Difficulty:<\/strong> middle \u2013 advanced<br \/>\nSpecial techniques: Quarter tones, rapid change between different bowing techniques, artificial harmonics<\/p>\n<p><strong>FP:<\/strong><br \/>\n17.11.2000 L\u00fcbeck (I\/IV, Tobias Roosen-Runge)\/Dresden 18.2.01 (II\/III, Rahel Kr\u00e4mer)<\/p>\n<p><strong>Introduction:<\/strong><\/p>\n<p><em>Sonatine (en forme de quatre petites hommages)<\/em> has been written as an obligatory piece for the Dotzauer-competition for young cellists in Dresden. For that reason it is a short, partly virtuousic composition. The four movements are more or less related to four different composer\u2019s ways of writing, especially to their compositions for string instruments.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;en forme de quatres petites hommages: I. (\u00e1 J.S.Bach?) II. (\u00e1 G. Scelsi) III. (\u00e1 B.A.Zimmermann) IV. (\u00e1 G.Ligeti) Publisher: Currently unpublished. Score is available for free, please contact me by e-mail. Duration: 5\u203230\u201d Difficulty: middle \u2013 advanced Special techniques: Quarter tones, rapid change between different bowing techniques, artificial harmonics FP: 17.11.2000 L\u00fcbeck (I\/IV, Tobias&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,5],"tags":[],"class_list":["post-161","post","type-post","status-publish","format-standard","hentry","category-padagogik","category-werkverzeichnis"],"_links":{"self":[{"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/posts\/161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/comments?post=161"}],"version-history":[{"count":4,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/posts\/161\/revisions"}],"predecessor-version":[{"id":1391,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/posts\/161\/revisions\/1391"}],"wp:attachment":[{"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/media?parent=161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/categories?post=161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.benjamin-schweitzer.de\/wp\/en\/wp-json\/wp\/v2\/tags?post=161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}